Let’s start out by acknowledging that good child actors are hard to find and good performances from children are hard to get. This is not as an excuse for anyone but simply an acknowledgement that for every Haley Joel Osment or Maisie Williams there’s a thousand of everybody else. Having said this, I don’t think the problems with this episode really had anything to do with child acting, nor do I think this episode had any really massive problems anyway. I just think there were a lot of little problems that all added up to an unspectacular episode. Continue reading
British Actors
‘Doctor Who’ Series 8, Episode 9: “Flatline” Reaction
In a previous post I discussed a method of casting I believe to have been employed on Season 3 of HBO’s Girls whereby there was a conscious effort to cast actors of color in peripheral roles in the wake of backlash against the show for its lack of minority representation. It appears to me that Doctor Who, a series which faced a similar backlash for its representation of people of color, is employing the same method. Continue reading
‘Doctor Who’ Series 8, Episode 8: “Mummy On The Orient Express” Reaction
For me, this was the weakest installment of the season thus far. The concept was clever enough (you had me at “train in space”) but I’m not sure about the execution.
‘Doctor Who’ Series 8, Episode 7: “Kill The Moon” Reaction
I learned at least three things from this episode. The first thing I learned is that British people apparently call training wheels “stabilizers.” The second is that in the near future these same “stabilizer” using Brits take over NASA from the Americans. Finally, the third is that in a spot where I believe the last two Doctors would have expressed moral outrage and harangued their silly humans, this Doctor chose to aloofly extricate himself from the situation, leaving said humans to their own devices. Continue reading
‘Doctor Who’ Series 8, Episode 6: “The Caretaker” Reaction
I have a theory: let’s say that The Doctor undergoes a bit of a midlife crisis circa 2006, materializing in the regeneration into David Tennant and Matt Smith, his two youngest bodies at a ripe old age that he’s maybe starting to feel a little bit. He learns some lessons, experiences some things, reconciles aspects of his old, warmongering nature in the form of John Hurt’s “War Doctor,” and finally takes the form of a more “age appropriate,” older gentleman in the person of Peter Capaldi. This season, the midlife crisis is over and The Doctor is coming to terms with himself and his age and is now engaging in some old man stuff like watching his daughter figure grow up and replace him with a new male figure. Continue reading
‘Doctor Who’ Series 8, Episode 5: “Time Heist” Reaction
While there are no genres I completely dislike, there are two genres in particular that I enjoy less than others. One is romantic comedy, the other is the heist genre. As I mentioned, there are exceptions (the Ocean’s films, Kubrick’s The Killing, Inception), but I’m usually bored out of my mind with heist scenarios. Continue reading
‘Doctor Who’ Series 8, Episode 4: “Listen” Reaction
Episodes like this are why I watch Doctor Who. Episodes like this are why I watch television. This was vintage Moffat in the style of “Blink” and “Silence In The Library”, and he hasn’t done one of these in awhile. Psychologically taut, atmospheric, so fun, and so very clever. Continue reading
Top 10 Performances of 2013: #6
6. Chewitel Ejiofor: 12 Years A Slave
I find it incredible how this performance got lost in the shuffle of awards season. Were I a member of the AMPAS, he would have been my second choice for Best Actor after my #2 pick from this list, and I thought 2013 was the best Lead Actor pool in recent memory. I’m not quite sure the average viewer is aware of the physical toll this part must have taken on him, to say nothing of the mental aspects. I’ve been a fan of his for years, and this is his masterpiece. My favorite moments of his in this film are all dialogue-free: his reactions in big moments, his gracious smile, the singing of the spiritual at the funeral, and any moment in which he’s listening. He’s just got “that face” and he can communicate and do so much with it. He can do anything.
‘Doctor Who’ Series 8, Episode 1: “Deep Breath” Reaction
I’m sure I’m not the only one who already feels like Peter Capaldi has already been the Doctor for a long time now. By the end of “Deep Breath” his performance felt both familiar and fresh at the same time. I’m not sure what more one could ask for from a transition than that very feeling I just described. I can’t go so far as to say that the transition has been seamless; to do so would be ignoring how dissatisfied I was with “The Time of the Doctor,” but I will say that on this back-end of the change, on the transition from one Doctor I liked immensely to one I was giddily excited for did not disappoint. Continue reading
Top 10 Performances of 2013: #8
8. Christian Bale: American Hustle
The thing I love the most about David O. Russell as a filmmaker is his ability to take extremely flawed characters and give them a narrative space to truly thrive in. I consider it his trademark as a writer and director. He takes individuals most people would condescend to and shows us why and how they’re remarkable. Christian Bale literally embodies this quality in American Hustle. He’s bald, overweight, etc., but at all times he appears to be completely comfortable in his own skin. He knows who he is, which of course makes him a good con man. It’s a fine counterpoint to Bradley Cooper’s character, who has no idea who he is. We see this with their respective “hair” sequences. The film is about deception and role playing, and Bale’s character is the only one who doesn’t switch. His sincerity and relative decency in this role makes the whole thing work. Also, they shot this film in my hometown, so thumbs up for that.









