Cinema

Top 10 Performances of 2013: #5

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5. Jennifer Lawrence: American Hustle

Lawrence manages to deliver a performance that’s equal parts hilarious, sexy, and maddeningly ridiculous. She’s even better here than she was in Silver Linings. The only thing funnier than “the microwave scene” in 2013 was the “quallude sequence” in The Wolf of Wall Street. “Don’t put metal in the science oven” is now my favorite David Russell line. This is one of those supporting performances that you want to be a bigger part, but its part of why she’s so compelling is that when she’s on screen she dominates and when she’s not you miss her presence. Her manner and her energy remind me a bit of Gena Rowlands, and I do not make that comparison lightly. She’s just a natural with a presence and maturity way beyond her years.  When you watch her she comes across as a twenty-year veteran, not someone in their early twenties, and her trophies already accumulated are a testament to that. I would pay money to watch her fold laundry for two hours. She’d get an Oscar nomination for that too.

Defaulting To Whiteness II: The Absurd Race-Bending Of ‘Exodus: Gods and Kings’

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Forgetting for a second whether I’m personally offended as a person of color over the casting choices in Exodus: Gods and Kings; I find the casting of an almost entirely white cast to play Ancient Egyptians to be flatly absurd by any metric. Casting like this is historically, geographically, and demographically inaccurate, in addition to being quite simply boring. I can think of no better example of defaulting to whiteness than a casting decision such as this one: “we have a story and a setting that fall outside of our modern racial parameters so why not just cast a bunch of white people, right?” I won’t pretend to know exactly what ancient Egyptians or ancient Hebrews looked like and by what, if any, modern racial or ethnic classifications they would likely fall under, but I am confident in saying that they did not look like Christian Bale, Joel Edgerton, Aaron Paul, or Sigourney Weaver.   Continue reading →

Top 10 Performances of 2013: #8

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8. Christian Bale: American Hustle

The thing I love the most about David O. Russell as a filmmaker is his ability to take extremely flawed characters and give them a narrative space to truly thrive in. I consider it his trademark as a writer and director. He takes individuals most people would condescend to and shows us why and how they’re remarkable. Christian Bale literally embodies this quality in American Hustle. He’s bald, overweight, etc., but at all times he appears to be completely comfortable in his own skin. He knows who he is, which of course makes him a good con man. It’s a fine counterpoint to Bradley Cooper’s character, who has no idea who he is. We see this with their respective “hair” sequences. The film is about deception and role playing, and Bale’s character is the only one who doesn’t switch. His sincerity and relative decency in this role makes the whole thing work. Also, they shot this film in my hometown, so thumbs up for that.

Top 10 Performances of 2013: #9

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9. Oscar Isaac: Inside Llewyn Davis

First of all, I had no idea Oscar Isaac was such a fantastic singer. This isn’t meant as a mere side compliment, because the character of his voice is crucial to an understanding of the film. Isaac’s voice is rich and true, resonating throughout the story, giving us a beautiful contrast to his extended series of fuck ups, mishaps, and bad breaks we’ll call his life. The film is a character study, a portrait of an artist, and his face tells us as much as his voice does. He wears everything on it. It’s appropriate he got this role not just because he’s tremendously talented and well suited for it, but just as a Coen’s fanatic I have to say that he really reminded me of a young John Turtturro in this. It’s an excellent performance from a really underrated actor in an absolutely beautiful piece of cinema.

Top 10 Performances of 2013: #10

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10. Lupita Nyong’o: 12 Years A Slave

In the months since I posted my 12 Years piece on tumblr, the world has rightfully fallen in love with Ms. Nyong’o and it is safe to say she is an unknown no longer. The utter despair and pain captured in her performance continues to resonate.  This is the sort of performance you can feel in your bones and makes you squirm in your seat.  The whole film is like that, really, but her performance stands out in this respect because her situation is so uniquely desperate and hopeless.  She’s literally hard to watch at times, not because of the brutality she endures, but because the despair and sense of being trapped is so complete and dire in her face, in her actions, her voice.  Great work in what ought to be a star-making performance.  Now, if only the American film industry created roles for black women…

Top 10 Performances of 2013

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1. Adele Exarchopoulos: Blue Is the Warmest Color

Some actors have “that face,” other actors have “those eyes.” Exarchopolous has both. Her’s was not the most polished performance this year, or the most mature, but it is the one that effected me the most emotionally. It’s the one that stuck in my head and refused to leave. I don’t think it sentimental for one to give marks for that: cinema, by it’s very nature is an art of manipulation of the emotions of the viewer, and actors are the vessels through which the viewers emphasize with the characters.  Continue reading →

By Way Of Introduction

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I chose to call this blog Mixed American Film Buff quite simply because I am those things. Film in particular and audio/visual media in general are my areas of highest interest and, for lack of a more appropriate term, expertise, but the content herein will in no way be limited to film, nor will I comment exclusively on issues related to my identity as a mixed person, although, since my ethnicity and background are inextricable facets of my identity, all issues relevant to myself and my perspective necessarily relate to those aspects of myself, because they, among other things, inform how I view the world. Film and related media provide me with a familiar framework to frame and interpret other concepts, precisely because they all relate to each other at one point or another, just as my identity, ethnicity, and background relate to everything I consume because they necessarily inform my perspective on whatever I consume.  Continue reading →