Top 10 Performances of 2013: #3

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3. Michael Fassbender: 12 Years A Slave


A textbook performance. Best Supporting Actor was the only Oscar outcome I really had an issue with. Leto did fine work in Dallas Buyers Club, but I thought Fassbender was miles ahead of him. From the first moment he’s onscreen in that profile close shot the tension onscreen increases exponentially. From a narrative standpoint, supporting characters are meant to introduce a variable to the main storyline that wasn’t present prior to their entrance. Nobody did that more effectively or more importantly than Fassbender did. In the hands of a lessor actor, this role could have been something of a “mustache twirler,” but Fassbender absolutely nails the complexity of this character, a professional dehumanizer who clearly hates himself and attempts to hide behind religion and booze. His every move is threatening, unpredictable, but Fassbender’s brilliance here is in how he doesn’t ever fully boil over, even in the enthralling “whipping sequence.” I really feel that with all the praise heaped at this film, Fassbender’s performance was somehow overlooked and subsequently under-praised. McQueen himself appears to feel the same way, highlighting his performance specifically in so many of his award acceptance speeches. Actors and filmmakers will be studying this performance for a long time to come.

Top 10 Performances of 2013: #7

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7. Jonah Hill: The Wolf of Wall Street

No one in the business is more fun to watch than Jonah Hill. People have long underrated comic actors, but it’s become very difficult to deny that this dude has got some chops.  The Wolf of Wall Street would have been a completely different film with another actor in this role. The role itself would have been completely different. He demonstrates what’s so special about character actors. Donnie’s love for Jordan is oddly touching considering how despicable their behavior is. Donnie functions as somewhat of a chaser for Jordan by being so over the top, but that same quality also makes them seem more outlandish, creating the opposite effect, thereby engendering that feeling of unease so many people seemed to have felt watching Wolf. And of course; the teeth, the accent, the prosthetic, all that deli meat that he chocked on-it’s all just bloody brilliant. I can’t even begin to describe how much I loved this film.