Two very different films released in October, Gone Girl and Nightcrawler, have a lot to say about American media culture and the way we consume events on television. David Fincher’s Gone Girl examines how stories become sensationalized by frenzied media and a salacious cultural appetite, while Tony Gilroy’s Nightcrawler explores the lengths some will go to to capture and create the sensation and stoke the fear of members of the public. Continue reading
The thing that sets Alejandro González Iñárritu apart as a filmmaker is his humanity. He shows human beings at their extremes, showing people at their most animalistic and also at their most humane, doing so with empathy and free of judgement. He has an incredible ability to not just examine human behavior but to see into the human soul. Iñárritu is the foremost humanist director of his generation. Continue reading
3. Michael Fassbender: 12 Years A Slave
A textbook performance. Best Supporting Actor was the only Oscar outcome I really had an issue with. Leto did fine work in Dallas Buyers Club, but I thought Fassbender was miles ahead of him. From the first moment he’s onscreen in that profile close shot the tension onscreen increases exponentially. From a narrative standpoint, supporting characters are meant to introduce a variable to the main storyline that wasn’t present prior to their entrance. Nobody did that more effectively or more importantly than Fassbender did. In the hands of a lessor actor, this role could have been something of a “mustache twirler,” but Fassbender absolutely nails the complexity of this character, a professional dehumanizer who clearly hates himself and attempts to hide behind religion and booze. His every move is threatening, unpredictable, but Fassbender’s brilliance here is in how he doesn’t ever fully boil over, even in the enthralling “whipping sequence.” I really feel that with all the praise heaped at this film, Fassbender’s performance was somehow overlooked and subsequently under-praised. McQueen himself appears to feel the same way, highlighting his performance specifically in so many of his award acceptance speeches. Actors and filmmakers will be studying this performance for a long time to come.
10. Lupita Nyong’o: 12 Years A Slave
In the months since I posted my 12 Years piece on tumblr, the world has rightfully fallen in love with Ms. Nyong’o and it is safe to say she is an unknown no longer. The utter despair and pain captured in her performance continues to resonate. This is the sort of performance you can feel in your bones and makes you squirm in your seat. The whole film is like that, really, but her performance stands out in this respect because her situation is so uniquely desperate and hopeless. She’s literally hard to watch at times, not because of the brutality she endures, but because the despair and sense of being trapped is so complete and dire in her face, in her actions, her voice. Great work in what ought to be a star-making performance. Now, if only the American film industry created roles for black women…