There’s a lot to talk about in the Star Wars: The Force Awakens teaser besides what some hoopleheads said on twitter about a black man having the audacity to appear in a moving image and frankly there’s a lot to chew on besides some manufactured controversies. That lightsaber, however, is worth discussing, which I’ll get to in good time. Continue reading
The way some racists reacted to John Boyega’s face popping up in the first teaser for Star Wars: The Force Awakens reminds me of the Dave Chappelle sketch where Neil Brennan’s head explodes after the blind black klansman takes off his hood. One thing confuses me though; are the racists upset that there’s a black stormtrooper or that there’s a black actor in the film at all? If it’s the latter, they’re even dumber than I thought they were, because that ship has sailed long ago. If it’s the former, I think I understand the nature of this idiocy, which I’ll explain below. Continue reading
Even including the disappointing series finale, I believe Lost is the finest drama in network television history. No series before or since has exhibited such bravery, inventiveness, or attention to character. Lost was and remains a true outlier in the wilderness of network programming. It stretched the limits of the televisual medium in ways no other series, including those on cable, ever had before. It stands with The Wire as one of the only shows to remain truly unique. There’s a direct link from The Sopranos to Mad Men and Breaking Bad; there’s nothing that comes close to resembling the approach and sociological exactness of The Wire. Similarly, there is nothing approaching the narrative method and attention to character in the fashion of Lost.
Can I love again? Do I have the strength to endure another heartbreak? Will George Lucas intervene and fuck up the new film if it actually ends up being good? These are the questions rolling around my head the last twenty-some hours. One human being can only take so much. Continue reading
Media are reflections of the culture and society they represent and emerge from. When one is alienated from certain media it likely stems from a lack of relatability on the part of the consumer in relation to the reflection in question. In other words, the consumer doesn’t see themselves reflected in the product. This is why, stereotypically, men don’t like daytime soap operas and romantic comedies, women don’t like sports and wrestling, and black people don’t like Seinfeld and the Winter Olympics (this black person actually loves Seinfeld as much as he hates the Winter Olympics, but we’re talking about stereotypes). Continue reading