2. Leonardo DiCaprio: The Wolf of Wall Street
The best work of his career by a wide margin. He’s never been more charismatic, funnier, or taken more risks. As in Django, he looks like he’s having more fun here than usual. He’s looser, braver, and stranger in The Wolf of Wall Street than in any of his other work. Part of what made this picture so spectacular is that everybody involved clearly just “went for it.” He and Scorsese have been great together before, but this feels like the culmination of many years of collaboration and trust. It may not be DeNiro in Raging Bull (nothing is), but it’s pretty damn special. Staying on Raging Bull, there’s a through-line connecting the two films in the way that they both center around a frank and uncompromising portrayal of a multidimensional human being that most people would find morally repugnant. It is no small feat to pull off performances like these. The breadth and scope of DiCaprio’s performance in Wolf cannot be overstated. He’s just spectacular in this and he never gets boring for the entire three hour run-time. He’s in almost every scene and his figure looms in the few that he’s not. It’s a classic performance in a classic film.
While there are no genres I completely dislike, there are two genres in particular that I enjoy less than others. One is romantic comedy, the other is the heist genre. As I mentioned, there are exceptions (the Ocean’s films, Kubrick’s The Killing, Inception), but I’m usually bored out of my mind with heist scenarios. Continue reading →
7. Jonah Hill: The Wolf of Wall Street
No one in the business is more fun to watch than Jonah Hill. People have long underrated comic actors, but it’s become very difficult to deny that this dude has got some chops. The Wolf of Wall Street would have been a completely different film with another actor in this role. The role itself would have been completely different. He demonstrates what’s so special about character actors. Donnie’s love for Jordan is oddly touching considering how despicable their behavior is. Donnie functions as somewhat of a chaser for Jordan by being so over the top, but that same quality also makes them seem more outlandish, creating the opposite effect, thereby engendering that feeling of unease so many people seemed to have felt watching Wolf. And of course; the teeth, the accent, the prosthetic, all that deli meat that he chocked on-it’s all just bloody brilliant. I can’t even begin to describe how much I loved this film.
1. Adele Exarchopoulos: Blue Is the Warmest Color
Some actors have “that face,” other actors have “those eyes.” Exarchopolous has both. Her’s was not the most polished performance this year, or the most mature, but it is the one that effected me the most emotionally. It’s the one that stuck in my head and refused to leave. I don’t think it sentimental for one to give marks for that: cinema, by it’s very nature is an art of manipulation of the emotions of the viewer, and actors are the vessels through which the viewers emphasize with the characters. Continue reading →