Most Doctor Who stories can be divided into one of two categories: ones where The Doctor is basically forced to confront an old adversary and ones where he chooses to confront or investigate something unknown out of curiosity. “Under The Lake” is a fine example of the latter category and one of the better installments thereof in some time in terms of quality.
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There’s a lot to talk about in the Star Wars: The Force Awakens teaser besides what some hoopleheads said on twitter about a black man having the audacity to appear in a moving image and frankly there’s a lot to chew on besides some manufactured controversies. That lightsaber, however, is worth discussing, which I’ll get to in good time. Continue reading →
This past weekend I had the incredible privilege of viewing Stanley Kubrick’s 2001: A Space Odyssey in 70mm film projection. The experience was literally awe-inspiring. I had seen 2001 many times but never in theaters and never on 70mm and the difference is palpable. The clarity and detail of the print combined with the difference in sound from the home experience made for an almost overwhelming sensory experience, one that I relish and wish to do again as soon as possible. Continue reading →
Christopher Nolan continues to stretch the IMAX medium to new cinematic and narrative bounds with Interstellar. But let’s get one thing out of the way; while Interstellar is grand and ambitious, it does not come close to the grandeur and majesty of 2001: A Space Odyssey, nor does Mr. Nolan even begin to approach the transcendent genius of Stanley Kubrick, despite the reports of some. Kubrick’s influence on Nolan’s work in general is quite evident, as is the influence of 2001 on Interstellar in particular. While a fundamentally a different film on many levels, Interstellar poses many of the same questions as 2001, exploring humankind’s place in the cosmos, examining our exploratory ambitions, and the limits of our abilities in those areas. Continue reading →
In a previous post I discussed a method of casting I believe to have been employed on Season 3 of HBO’s Girls whereby there was a conscious effort to cast actors of color in peripheral roles in the wake of backlash against the show for its lack of minority representation. It appears to me that Doctor Who, a series which faced a similar backlash for its representation of people of color, is employing the same method. Continue reading →
For me, this was the weakest installment of the season thus far. The concept was clever enough (you had me at “train in space”) but I’m not sure about the execution.
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I learned at least three things from this episode. The first thing I learned is that British people apparently call training wheels “stabilizers.” The second is that in the near future these same “stabilizer” using Brits take over NASA from the Americans. Finally, the third is that in a spot where I believe the last two Doctors would have expressed moral outrage and harangued their silly humans, this Doctor chose to aloofly extricate himself from the situation, leaving said humans to their own devices. Continue reading →
Can I love again? Do I have the strength to endure another heartbreak? Will George Lucas intervene and fuck up the new film if it actually ends up being good? These are the questions rolling around my head the last twenty-some hours. One human being can only take so much. Continue reading →
Media are reflections of the culture and society they represent and emerge from. When one is alienated from certain media it likely stems from a lack of relatability on the part of the consumer in relation to the reflection in question. In other words, the consumer doesn’t see themselves reflected in the product. This is why, stereotypically, men don’t like daytime soap operas and romantic comedies, women don’t like sports and wrestling, and black people don’t like Seinfeld and the Winter Olympics (this black person actually loves Seinfeld as much as he hates the Winter Olympics, but we’re talking about stereotypes). Continue reading →