Going into the season 6 finale, I assumed that any episode following the exhilaration and brilliance of “Battle of the Bastards” would suffer from at least some measure of anticlimax, regardless of the quality of the episode itself. I am happy to report that I was sorely mistaken in my assumption. I was mistaken to the extent that I must concede that while “The Winds of Winter” was as dissimilar from “Battle of the Bastards” as two episodes could be in such a stylistically consistent series as Game of Thrones, it was absolutely on par with that installment in every respect save for action, which it obviously need not be because that wasn’t the focus of this episode, that being central to the aforementioned difference. Indeed, several aspects of this episode were stylistically unique for the series, not just in relation to the previous installment.
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It was almost jarring to see them end a season on something other than a big “creature reveal.” That’s not a complaint-and not that there’s anything wrong with big creature reveals, because of course there isn’t. But I really like when seasons (or series, for that matter) end with a central character boarding a vessel or entering a vehicle and going somewhere. It’s a beautiful if obvious metaphor for consuming a serial narrative and also for characters during a “hiatus.” This ending reminded me of the ends of Freaks and Geeks and Six Feet Under, which left me with an unsettling feeling given that those two were series finales. I’m certainly glad I’m aware that Game of Thrones has already been renewed for at least two more seasons. Continue reading →
Surely we are in the midst of a Golden Age of the episodic crime drama. Between Sherlock, True Detective, Luther, Broadchurch, Breaking Bad, Dexter, Top of the Lake, and a plethora of enormously successful CBS procedurals that I admit I have never seen but people seem to enjoy (NCIS, Elementary, post-Petersen CSI). I have seen Criminal Minds several times (its a favorite of my parents) and have usually enjoyed it, but for a variety of reasons, traditional procedurals favored by the likes of CBS in particular and networks in general don’t really fit into my main argument, which I’ll present herein. Continue reading →