“The Magician’s Apprentice” relates to “Deep Breath,” Peter Capaldi’s introductory episode as the Twelth Doctor in a simalar way to how the Eleveth Doctor’s second season premiere “The Impossible Astronaut” relates to Matt Smith’s debut episode “The End of Time.” In both cases, Steven Moffat uses the episode introducing the new Doctors is a classic Doctor Who one-off episode establishing the new Doctor and his relationship to his companions while using the following season’s premiere episode to tell a sprawling, complicated, and complex narrative that will theoretically make more sense by the time the entire season unfolds. I don’t mean this derisively at all; I trust Steven Moffat as a storyteller and as a showrunner, and I’m encouraged by the connection between “The Magician’s Apprentice” and ‘The Impossible Astronaut’ because Season 6, the season that ‘Astronaut’ kicked off, is my favorite season of the series so far. Continue reading
For me, this was the weakest installment of the season thus far. The concept was clever enough (you had me at “train in space”) but I’m not sure about the execution.
Episodes like this are why I watch Doctor Who. Episodes like this are why I watch television. This was vintage Moffat in the style of “Blink” and “Silence In The Library”, and he hasn’t done one of these in awhile. Psychologically taut, atmospheric, so fun, and so very clever. Continue reading
I’m sure I’m not the only one who already feels like Peter Capaldi has already been the Doctor for a long time now. By the end of “Deep Breath” his performance felt both familiar and fresh at the same time. I’m not sure what more one could ask for from a transition than that very feeling I just described. I can’t go so far as to say that the transition has been seamless; to do so would be ignoring how dissatisfied I was with “The Time of the Doctor,” but I will say that on this back-end of the change, on the transition from one Doctor I liked immensely to one I was giddily excited for did not disappoint. Continue reading