This episode-“Blackwater” 2.0, was good bloody fun and a prime example of what makes Game of Thrones so unique as a series. Not just unique in the way that the show is special-it being of superior quality to almost everything else the medium has to offer-but unique in its very essence as a work of media-art. Game of Thrones the television series exists somewhere between cinema and television, blurring lines and creating new forms in the process. It is in episodes like this that the series makes its mark. Continue reading
Rose Leslie
‘Game of Thrones’ Season 4, Episode 3: “Breaker of Chains” Reaction
Let’s just get right into it. I always try not to read other pieces on Game of Thrones before finishing my own, but I couldn’t hide from the amount of stuff written about Jaime’s rape of Cersei. Before I begin in earnest, let me be very clear up front that I am not defending rape, the depiction of rape or the use of it as a narrative tool by media-arts producers. As for the latter, I reserve the right, as any viewer does, to question and deride whatsoever I please within any piece of work. I will not do so, however, for the sake of propriety, personal preference, or moral outrage. The works I find to be morally outrageous are those which are wantonly intellectually dishonest or somehow produced in bad faith; I do not find Game of Thrones the television series in particular or A Song of Ice In Fire in general to be such works. Continue reading