Let me start out by saying that I think the idea behind this story is really interesting-I just wish we got there in a more interesting way. I’m not sure why they chose to kill Danny in such a dramatically un-impactful way. It was one of those deaths you can see coming from a mile away yet doesn’t make any logical sense within the narrative. I simply don’t understand why he chose to stop in the middle of the road. I don’t understand what Clara was doing on her end either, but I’m going to hold off on that point in the hopes that it’s addressed in the concluding episode. If I give the show the benefit of the doubt, I’m assuming that there’s a reason that Clara was acting all panicky over the phone with the post-it notes at that exact moment that for some reason causes Danny to stop in the middle of a crosswalk. Continue reading
Science Fiction
‘Doctor Who’ Series 8, Episode 10: “In The Forest of the Night” Reaction
Let’s start out by acknowledging that good child actors are hard to find and good performances from children are hard to get. This is not as an excuse for anyone but simply an acknowledgement that for every Haley Joel Osment or Maisie Williams there’s a thousand of everybody else. Having said this, I don’t think the problems with this episode really had anything to do with child acting, nor do I think this episode had any really massive problems anyway. I just think there were a lot of little problems that all added up to an unspectacular episode. Continue reading
‘Doctor Who’ Series 8, Episode 9: “Flatline” Reaction
In a previous post I discussed a method of casting I believe to have been employed on Season 3 of HBO’s Girls whereby there was a conscious effort to cast actors of color in peripheral roles in the wake of backlash against the show for its lack of minority representation. It appears to me that Doctor Who, a series which faced a similar backlash for its representation of people of color, is employing the same method. Continue reading
‘Doctor Who’ Series 8, Episode 8: “Mummy On The Orient Express” Reaction
For me, this was the weakest installment of the season thus far. The concept was clever enough (you had me at “train in space”) but I’m not sure about the execution.
‘Doctor Who’ Series 8, Episode 7: “Kill The Moon” Reaction
I learned at least three things from this episode. The first thing I learned is that British people apparently call training wheels “stabilizers.” The second is that in the near future these same “stabilizer” using Brits take over NASA from the Americans. Finally, the third is that in a spot where I believe the last two Doctors would have expressed moral outrage and harangued their silly humans, this Doctor chose to aloofly extricate himself from the situation, leaving said humans to their own devices. Continue reading
‘Lost’ On Its 10th Anniversary
Even including the disappointing series finale, I believe Lost is the finest drama in network television history. No series before or since has exhibited such bravery, inventiveness, or attention to character. Lost was and remains a true outlier in the wilderness of network programming. It stretched the limits of the televisual medium in ways no other series, including those on cable, ever had before. It stands with The Wire as one of the only shows to remain truly unique. There’s a direct link from The Sopranos to Mad Men and Breaking Bad; there’s nothing that comes close to resembling the approach and sociological exactness of The Wire. Similarly, there is nothing approaching the narrative method and attention to character in the fashion of Lost.
‘Doctor Who’ Series 8, Episode 6: “The Caretaker” Reaction
I have a theory: let’s say that The Doctor undergoes a bit of a midlife crisis circa 2006, materializing in the regeneration into David Tennant and Matt Smith, his two youngest bodies at a ripe old age that he’s maybe starting to feel a little bit. He learns some lessons, experiences some things, reconciles aspects of his old, warmongering nature in the form of John Hurt’s “War Doctor,” and finally takes the form of a more “age appropriate,” older gentleman in the person of Peter Capaldi. This season, the midlife crisis is over and The Doctor is coming to terms with himself and his age and is now engaging in some old man stuff like watching his daughter figure grow up and replace him with a new male figure. Continue reading
‘Doctor Who’ Series 8, Episode 5: “Time Heist” Reaction
While there are no genres I completely dislike, there are two genres in particular that I enjoy less than others. One is romantic comedy, the other is the heist genre. As I mentioned, there are exceptions (the Ocean’s films, Kubrick’s The Killing, Inception), but I’m usually bored out of my mind with heist scenarios. Continue reading
‘Doctor Who’ Series 8, Episode 4: “Listen” Reaction
Episodes like this are why I watch Doctor Who. Episodes like this are why I watch television. This was vintage Moffat in the style of “Blink” and “Silence In The Library”, and he hasn’t done one of these in awhile. Psychologically taut, atmospheric, so fun, and so very clever. Continue reading
‘Doctor Who’ Series 8, Episode 3: “Robot of Sherwood” Reaction
This was a fun one. The “pissing contests” between The Doctor and Robin Hood were particularly entertaining. This is the first time we’ve gotten to see this new Doctor play the cranky old man to a younger hero type, something they obviously couldn’t do with Tennant or Smith but something they should now take full advantage of. Continue reading









