Reek-it rhymes with week, which is about how long it took me to finish this episode because my six-month old puppy Fredo reacted and responded in kind and unceasingly to the dogs barking in the Winterfell kennel scene where Sansa is “reintroduced” to Theon/Reek. But when I could actually hear the soundtrack over little Fredo’s incessant barking, I really enjoyed this episode, especially the Winterfell content. I think Iwan Rheon gets Ramsay just right in the way that he’s threatening, odd, off-putting, and totally unhinged without being over the top and cartoonish. He goes right up to the line and stops exactly where he needs to.
As I attempt to suppress the dread I feel at the prospect of Grey Worm suffering a fatal wound at the hand of those repugnant and cowardly slavers, I’ll do my best to record a few more thoughts on what I thought was a really solid episode. Of all the great material this week, the highlight has to be that gorgeously moving scene between Stannis and his daughter Shireen. It’s the clearest glimpse we’ve had of the human side of one of the most austere and least compassionate figures in the series. This scene did a lot to highlight why I think Stephen Dillane was such a perfect choice to play Stannis in the first place because he’s got this underlying warmth under all the coldness he exudes. It was a great humanizing moment for his character and an exceptionally well-played scene. Continue reading
Oaths were kept, masters were killed, and eyes were turned blue. This episode was unified thematically; every storyline this week featured someone who entered into some type of promise, vow, or binding agreement. The episode was in large part about the costs of keeping those oaths and the consequences of breaking them. Continue reading