‘Game of Thrones’ Season 5, Episode 1: “The Wars to Come” Reaction

game-of-thrones-ep41-ss05-1920

Great athletes on the level of a Michael Jordan in his prime sometimes reach a point in their careers where they begin to dictate the terms of the competition; they’ve ascended to such a level of unprecedented greatness that the execution of their endeavor consists of them continually raising the bar they have set for themselves and their competition. I believe that from a narrative standpoint, Game of Thrones may have reached that level of greatness and proves it by continually raising the bar for what a series can do on television. It really cannot be overstated how spectacular an achievement it is to adapt and sharpen such a sprawling, complex narrative and juggle that many characters for a televisual format and manage to not be tedious, confusing, or even remotely boring.  Continue reading

‘Game of Thrones’ Season 4, Episode 10: “The Children” Reaction

episode-40-13-1920

It was almost jarring to see them end a season on something other than a big “creature reveal.”  That’s not a complaint-and not that there’s anything wrong with big creature reveals, because of course there isn’t. But I really like when seasons (or series, for that matter) end with a central character boarding a vessel or entering a vehicle and going somewhere. It’s a beautiful if obvious metaphor for consuming a serial narrative and also for characters during a “hiatus.” This ending reminded me of the ends of Freaks and Geeks and Six Feet Under, which left me with an unsettling feeling given that those two were series finales. I’m certainly glad I’m aware that Game of Thrones has already been renewed for at least two more seasons.  Continue reading

‘Game of Thrones’ Season 4, Episode 8: “The Mountain and the Viper” Reaction

episode-38-09-1920

The narrative acumen of the Game of Thrones show runners and their crew was on full display this episode. The opening sequence was masterful and cinematic, setting the perfect tone for the entire episode, which has to be the most well-structured, evenly-paced, and deftly executed installment of the season up to this point. All the transitions were narratively and thematically coherent; there was no filler in the episode, even if there was a small amount of fat in isolated instances.  Continue reading

‘Game of Thrones’ Season 4, Episode 5: “First of His Name” Reaction

episode-35-07-1920

Weiss and Benioff earned their money on this one. This episode is a prime example of why you actually write the teleplays instead of just sitting there with the books cutting and pasting together an episode. Consider how much we as an audience gained from the “Craster’s Keep” deviation over the course of the last two episodes (so, credit to Bryan Cogman as well) and culminating in the climax of “First of His Name.” We have a wonderfully gory action sequence that provides a punctuation to an episode that despite its overall quality felt a bit stationary.  Continue reading

‘Game of Thrones’ Season 4, Episode 3: “Breaker of Chains” Reaction

Game-of-Thrones-S4E3-Cersei

Let’s just get right into it. I always try not to read other pieces on Game of Thrones before finishing my own, but I couldn’t hide from the amount of stuff written about Jaime’s rape of Cersei. Before I begin in earnest, let me be very clear up front that I am not defending rape, the depiction of rape or the use of it as a narrative tool by media-arts producers. As for the latter, I reserve the right, as any viewer does, to question and deride whatsoever I please within any piece of work. I will not do so, however, for the sake of propriety, personal preference, or moral outrage. The works I find to be morally outrageous are those which are wantonly intellectually dishonest or somehow produced in bad faith; I do not find Game of Thrones the television series in particular or A Song of Ice In Fire in general to be such works. Continue reading

‘Game of Thrones’ Season 4, Episode 1: “Two Swords” Reaction

game-of-thrones-season-4-dragon-emilia-clarke

As I sat alone in my apartment slowly applauding computer generated images of dragons I realized without embarrassment that I really am part of a specific class of people. The class I’m referring to is that class who believe that this particularly inspired combination of the mythical, carnal, gory, and political is the richest narrative universe in all of genre fiction. George R.R. Martin is the talent of a lifetime.  Continue reading